Seeing that writing part 1 of the Musical Creativity And Expression article series, We have received an entire lot of e-mail from readers about one of the examples I talked about (the idea of the story board). A lot of the visitors wanted me to visit into more detail of how this idea can be applied to songwriting. best Musically glory and likes 2018
With that in mind, here is a songwriting project so that you can do.
For this composition, I strongly suggest to write an a key component piece of music (song with no words or singing). My reason for this is simple, most writers rely too intensely on the lyrics to these songs of the song to convey the thoughts, feelings, emotions, story, and so forth. that will be communicated. Undoubtedly there is nothing incorrect with the lyrics to these songs telling the story, but I believe it can far more valuable if you possibly can notify the same story with the music alone. Proper you add the song (if you add them at all), the electricity and impact of the song will be much greater on the audience. So let’s focus this experiment only on the music and not on the lyrics to these songs. You can always add lyrics later once you are done if you need to.
Select your theme. Find something that you want to express musically. You can choose anything at all you want such as: a personal event, sense, thought etc. from your own life, or a story that you noticed about or read about, or perhaps you can create a fictional story, event, and so forth. to use. The key is to find out just what it is that you will be expressing before you get started to even think about writing music. Exactly what are the expressive goals? Why have you chosen this subject to express in music?
Record it. Once you have chosen your matter, write it down on paper in your own words in a few paragraphs. You will be returning this written information of your topic over and over again because you are writing the music, so keep this close by you if you are working. Explain (in writing) the occasions, feelings, thoughts, the folks, places or things involved, and so forth. Remember what your significant goals are?
Divide into sections. Divide story/topic into sections. The number of sections will be different depending on many factors that are all based on your story. For most tracks, 3-8 sections are typical but more less are possible. The sections of your story/topic will determine the number of musical technology sections of your track, so think about this carefully. Number each section.
The 7 basic elements of music. Make a couple of the 7 basic components of music. Then think about how precisely each musical factor (rhythm, harmony, melody, texture, form, timbre, dynamics, ) can best be used to express your expressive goals (your story/topic) into music. Really think about each element, don’t just dash through this step. Take note of your ideas about each on a single paper that you prepared in step 2.
Climax. Consider where the climatic points in your topic/story are. Which section is the key climatic point in? At specifically what point in that section is the climax located (beginning, middle, end. and so forth. ) It may be a good idea that you can compose the climatic point first even if is actually the middle or end of the story. Should you know where you are going, it’s going to a great deal easier so that you can get there. For most stories, parts before the climax build up to the climax and parts after the ejaculation generally move away from it. In other words, what happens before the climax usually creates pressure and what happens after the climax usually creates resolution of all the accumulated tension. Of course not all stories or music follow this style, but often times it can do. Write down your ideas about each on the same paper that you prepared in step 2.
Since you have all of this down on paper, you need to get started writing the actual music for your song/composition. As you are writing the history music, go back to your original ideas that you wrote upon newspaper in steps 2-5. Is going to you be following your original ideas or have you begun to advance away from them when you are writing the music? Is actually common for me to sometimes get away from my original intentions once I am composing the music and get working on the piece for quite a while. Sometimes the result of changing the plans works out to be even better than the original, but sometimes it is a failure and We return to the original principles and rework the music to better fit my intentions. For the goal of learning this way of writing music, My spouse and i encourage you to stay with your original plans at the moment no matter what. Following you feel more at ease with writing/expressing yourself this way then certainly you can progress out of this compositional style when it best suits your own needs.